  one excellent story, 2008-11-30
*** "The Christmas Tart" by Mary Jo Putney. re-read.
I've actually read this one 3 times in different anthologies, and it hasn't improved on the re-reads. (Some stories do.)
A young seamstress is erroneously accused of theft and turned out of the household that had employed her--the wicked employer keeping her savings, assuming they were the profit from her theft. Homeless and penniless, she's mistaken for a prostitute by the hero's friends who "give" her to him as a gift. It's Cinderella and Pretty Woman set in the Regency period, and I didn't quite buy that they actually fell in love.
*** "A Seasonal Stratagem" by Sandra Heath.
This story's plot is a romance standard: the rakish hero makes a bet that he can seduce (in this case, just get a kiss from) the virtuous heroine; he succeeds, but not before he's lost his heart. But then she finds out about the wager, feels betrayed, and he has to work to convince her he's serious. This isn't a bad story--it's just that there's nothing special about it, either.
****½ "The Porcelain Madonna" by Mary Balogh.
Wow. Now this story made the whole volume worthwhile... and I'm not a fan, or even a regular reader of Ms. Balogh--she seems to turn up in anthologies I read pretty regularly, but I don't believe I've ever read one of her single titles. Maybe I should reconsider that.
Anyway. This story grabbed me from the beginning. The hero is self-deprecatingly cynical about Christmas, and we first see him as the shabbily-dressed heroine is admiring the procelain madonna of the title in a shop window. A young boy tries to pick her pocket, and the hero comes to the rescue. The whole story is about his cynicism clashing with her optimism, made poignant by his desperate desire for hope.
I think, if it had been written differently, this story could have been too schmaltzy, but since we get his POV with his self-deprecating remarks, and get a very clear view of his character from the beginning, it's instead funny and warm-hearted.
*½ "Christmas Rose" by Marjorie Farrell.
Speaking of the writing making the difference... this story has the opposite effect.
The hero and heroine have been married for 5 years, and have drifted apart because they've been unable to conceive a child. When he comes home "fizzy" one night and sees a woman leaving a baby in a basket on an absent neighbor's doorstep, he convinces her to move the baby to his. The baby brings him and his wife together, until a servant's comment makes the wife believe it's her husband's bastard.
It could have also been a poignant story, but it was told from such a distant POV that I never connected to either of the characters. Even worse, what I did learn about them made me dislike them.
** "The Best Gift of All" by Emma Lange.
*sigh* I really, really, couldn't like this hero who brings his mistress (and his mistress's husband) home with him for Christmas. And I couldn't rejoice with the heroine that the husband she loved decided she wasn't so bad after all.
This is more a case of genre confusion than anything else, I think. It was, admittedly, entirely realistic that a Regency-era aristocratic husband would have a mistress and ignore his cit wife. I just couldn't stomach it as a romance.
Some splendid examples of a well-loved sub-genre, 2001-10-10
I love romantic fiction set within the context of Christmas and regencies are a particular favourite of mine. I always treat myself to the various Christmas anthologies because they make a particularly nice read at the holiday season when things get so frantic you begin to wish Christmas had never been invented! I recently obtained a few of the old Signet Regency Christmas anthologies now out of print and it was truly worth the effort.If you never read another Christmas regency novella, may I recommend Mary Balogh's "The Porcelain Madonna". This exquisitely written (what else would you expect from Mary Balogh?), emotionally tender and moving story is the best I have ever read in the Christmas setting, either contemporary or historical. The painfully tragic story of the difficult, prickly but kind hearted Darcy Austin, the Earl of Kevern, and the gentle, sympathetic Julie Bevan, is full of healing, joy, compassion and love. Their personal "go between", the little boy from the slums, Charlie Cobban, is also a memorable character whose family, through the birth of yet another mouth to fill, brings real peace and healing to the bereaved Earl. I simply cannot speak highly enough of this charming little story - it is the sort you will want to turn to again and again when you need a little inspiration and comfort. The other stories are also good; I was quite surprised by Emma Lange's as I don't know her and she presented a well written study of a large family which is mindful of Georgette Heyer's "A Civil Contract". Marjorie Farrell is a favourite of mine; she writes very well and her contribution, "Christmas Rose" tells a poignant story of a couple who have drifted apart through the curse of infertility (told within the proper context of the times and painfully realistic). How a foundling child first brings them together, then drives a wedge between them and then ultimately brings them peace and joy is also a wonderfully heartwarming illustration of what Christmas really means. I do recommend this collection. It's worth the effort to obtain an out of print copy. What a star is Mary Balogh!
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